Frank Thiel’s Stadt 12/88 (Berlin) records the ruinous conditions of a weathered paint surface, transforming it into an abstract architectural space. The work reflects upon the difficult economic situation that beset Berlin’s former industrial areas prior to the reunification of Germany in 1990. In its abstract painterly quality the work explores the evolving relationship between painting and photography. Grand in size, Thiel’s photograph subverts the scale of the intimate surface it depicts.