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Shahzia Sikander (Pakistani-American, b. Lahore 1969)

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Shahzia Sikander - TEFAF NY 2026 -  - Viewing Room - Sean Kelly Gallery - Online Exhibition

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Shahzia Sikander

The Hour Glass, 2025

glass mosaic with patinated brass frame

mosaic: 83 1/8 x 59 7/8 inches (211.1 x 152.1 cm)
framed: 84 x 60 3/4 x 2 inches (213.4 x 154.3 x 5.1 cm)

edition of 5 with 2 APs (#4/5)

(ShS-S.25.139.4)

 

Provenance:
The artist and Sean Kelly, New York.

Shahzia Sikander

The Hour Glass, 2025

glass mosaic with patinated brass frame

mosaic: 83 1/8 x 59 7/8 inches (211.1 x 152.1 cm)
framed: 84 x 60 3/4 x 2 inches (213.4 x 154.3 x 5.1 cm)

edition of 5 with 2 APs (#4/5)

(ShS-S.25.139.4)

 

Provenance:
The artist and Sean Kelly, New York.

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Shahzia Sikander

The Hour Glass, 2025

glass mosaic with patinated brass frame

mosaic: 83 1/8 x 59 7/8 inches (211.1 x 152.1 cm)
framed: 84 x 60 3/4 x 2 inches (213.4 x 154.3 x 5.1 cm)

edition of 5 with 2 APs (#4/5)

(ShS-S.25.139.4)

 

Provenance:
The artist and Sean Kelly, New York.

Shahzia Sikander

The Hour Glass, 2025

glass mosaic with patinated brass frame

mosaic: 83 1/8 x 59 7/8 inches (211.1 x 152.1 cm)
framed: 84 x 60 3/4 x 2 inches (213.4 x 154.3 x 5.1 cm)

edition of 5 with 2 APs (#4/5)

(ShS-S.25.139.4)

 

Provenance:
The artist and Sean Kelly, New York.

Shahzia Sikander - TEFAF NY 2026 -  - Viewing Room - Sean Kelly Gallery - Online Exhibition

Shahzia Sikander is one of the foremost artists of her generation who has been recognized for her ability to animate South Asian visual histories through a contemporary perspective. In this work, the artist returns to a motif she conceived in the early 90s while a student at the Rhode Island School of Design.

These floating figures appear with root-like forms instead of arms and legs and embody what Sikander calls “Migrant Love,” a term she uses to describe the central protagonists in her work. Rendered in mosaic, these figures hold multiple meanings, often affirming how women, deeply rooted in their identities and cultural heritage, cannot be easily uprooted or silenced. The lotus, another recurring motif in Sikander’s work, is also evident as a form that can signify humility, spiritual awakening, and love across many cultures.

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Shahzia Sikander

Weightless, 2024

gouache, ink, gold leaf and collage on paper

paper: 17 1/16 x 11 1/2 inches (43.3 x 29.2 cm)
frame: 23 1/4 x 17 3/4 x 1 9/16 inches (59.1 x 45.1 x 4 cm)

signed by artist on label, verso

(ShS-WP.24.132)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Palazzo Soranzo Van Axel, Venice, Shahzia Sikander: Collective Behavior (A Collateral Event of the 60th International Art Exhibition - La Biennale di Venezia), April 20–October 20, 2024. Travelled to: Cincinnati Art Museum, OH (co-organizer), February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

 

Literature:
Cameron, Ainsley M., and Emily Liebert, eds. Shahzia Sikander: Collective Behavior. New York: Monacelli Press, 2025. p. 38.

Shahzia Sikander

Weightless, 2024

gouache, ink, gold leaf and collage on paper

paper: 17 1/16 x 11 1/2 inches (43.3 x 29.2 cm)
frame: 23 1/4 x 17 3/4 x 1 9/16 inches (59.1 x 45.1 x 4 cm)

signed by artist on label, verso

(ShS-WP.24.132)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Palazzo Soranzo Van Axel, Venice, Shahzia Sikander: Collective Behavior (A Collateral Event of the 60th International Art Exhibition - La Biennale di Venezia), April 20–October 20, 2024. Travelled to: Cincinnati Art Museum, OH (co-organizer), February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

 

Literature:
Cameron, Ainsley M., and Emily Liebert, eds. Shahzia Sikander: Collective Behavior. New York: Monacelli Press, 2025. p. 38.

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Shahzia Sikander

Thrust, 2024

gouache, ink, and gold leaf on paper

paper: 14 x 11 inches (35.6 x 27.9 cm)
frame: 20 3/16 x 17 3/16 x 1 9/16 inches (51.3 x 43.7 x 4 cm)

signed by artist, verso

(ShS-WP.24.138)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Cincinnati Art Museum, OH, Shahzia Sikander: Collective Behavior, February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

Shahzia Sikander

Thrust, 2024

gouache, ink, and gold leaf on paper

paper: 14 x 11 inches (35.6 x 27.9 cm)
frame: 20 3/16 x 17 3/16 x 1 9/16 inches (51.3 x 43.7 x 4 cm)

signed by artist, verso

(ShS-WP.24.138)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Cincinnati Art Museum, OH, Shahzia Sikander: Collective Behavior, February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

Inquire
Shahzia Sikander

Weightless, 2024

gouache, ink, gold leaf and collage on paper

paper: 17 1/16 x 11 1/2 inches (43.3 x 29.2 cm)
frame: 23 1/4 x 17 3/4 x 1 9/16 inches (59.1 x 45.1 x 4 cm)

signed by artist on label, verso

(ShS-WP.24.132)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Palazzo Soranzo Van Axel, Venice, Shahzia Sikander: Collective Behavior (A Collateral Event of the 60th International Art Exhibition - La Biennale di Venezia), April 20–October 20, 2024. Travelled to: Cincinnati Art Museum, OH (co-organizer), February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

 

Literature:
Cameron, Ainsley M., and Emily Liebert, eds. Shahzia Sikander: Collective Behavior. New York: Monacelli Press, 2025. p. 38.

Shahzia Sikander

Weightless, 2024

gouache, ink, gold leaf and collage on paper

paper: 17 1/16 x 11 1/2 inches (43.3 x 29.2 cm)
frame: 23 1/4 x 17 3/4 x 1 9/16 inches (59.1 x 45.1 x 4 cm)

signed by artist on label, verso

(ShS-WP.24.132)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Palazzo Soranzo Van Axel, Venice, Shahzia Sikander: Collective Behavior (A Collateral Event of the 60th International Art Exhibition - La Biennale di Venezia), April 20–October 20, 2024. Travelled to: Cincinnati Art Museum, OH (co-organizer), February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

 

Literature:
Cameron, Ainsley M., and Emily Liebert, eds. Shahzia Sikander: Collective Behavior. New York: Monacelli Press, 2025. p. 38.

Shahzia Sikander

Thrust, 2024

gouache, ink, and gold leaf on paper

paper: 14 x 11 inches (35.6 x 27.9 cm)
frame: 20 3/16 x 17 3/16 x 1 9/16 inches (51.3 x 43.7 x 4 cm)

signed by artist, verso

(ShS-WP.24.138)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Cincinnati Art Museum, OH, Shahzia Sikander: Collective Behavior, February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

Shahzia Sikander

Thrust, 2024

gouache, ink, and gold leaf on paper

paper: 14 x 11 inches (35.6 x 27.9 cm)
frame: 20 3/16 x 17 3/16 x 1 9/16 inches (51.3 x 43.7 x 4 cm)

signed by artist, verso

(ShS-WP.24.138)

 

Provenance:
The artist and Sean Kelly, New York.

 

Exhibitions:
Cincinnati Art Museum, OH, Shahzia Sikander: Collective Behavior, February 14–May 4, 2025; Cantor Arts Center at Stanford University, Stanford, CA, September 20, 2025–January 25, 2026.

Shahzia Sikander - TEFAF NY 2026 -  - Viewing Room - Sean Kelly Gallery - Online Exhibition

Photo by Landon Spears

For more than three decades, Shahzia Sikander (Pakistani-American, b. Lahore 1969) has been animating South Asian visual histories through a contemporary perspective. Her work reimagines the past for our present moment, proposing new narratives that cross time and place. Working in a variety of mediums—paintings, drawings, prints, digital animations, mosaics, sculpture, and glass—Sikander considers Western relations with the global south and the wider Islamic world, often through the lens of gender and body politics. Her work is rooted in a lexicon of recurring motifs that makes visible marginalized subjects. At times turning the lens inward, Sikander reflects on her own experience as an immigrant and diasporic artist working in the United States.

Sikander earned a B.F.A. in 1991 from the National College of Arts in Lahore, Pakistan. Her seminal thesis work, The Scroll, 1989–1990, garnered awards, exhibitions and press, and led to increased enrollment in the NCA’s miniature painting department. Subsequently, Sikander was appointed lecturer in miniature painting at the school. The artist moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997, she participated in the Glassell School of Art’s CORE Program at The Museum of Fine Arts, Houston. A recipient of a MacArthur Fellowship (2006) and the State Department Medal of Arts (2012), Sikander’s innovative work has been exhibited and collected internationally. She has most recently been honored with the The 2025 Artistic Impact Award from The Newark Museum of Art.

A major new film by Shahzia Sikander, entitled 3 to 12 Nautical Miles, premiered on the façade of the M+ Museum in Hong Kong in March 2026. Collective Behavior, a major exhibition of Sikander’s work, debuted in Venice during the Biennale Arte 2024 and was co-organized by the Cincinnati Art Museum and the Cleveland Museum of Art. The exhibition opened at both Ohio institutions in February 2025 and traveled to the Cantor Arts Center at Stanford University in September 2025. A major outdoor project, an 8-foot bronze female sculpture, is currently on the roof of the Appellate Courthouse in Manhattan, and an accompanying 18-foot female sculpture was exhibited in Madison Square Park in 2023 and traveled to the University of Houston in 2024. Every midnight in September 2023, Sikander’s animation, Reckoning, unfolded across the screens of Times Square. Projects with the Moynihan Train Hall Public Art Program saw her animation Singing Suns displayed across screens in Moynihan Train Hall from November 2023 to January 2024.